The medium does not define
the artist, but choices are made that reflect a desired outcome, and in
that outcome is part of the artist's soul.
I select stone for beauty
and permanency. Stone has the ability to sustain visual conflict,
as even soft, flowing curves retain a sense of sharp and hard.
Wood can be soft and sensuous;
it stands in almost universal reverence, as well it should, alive as it
is.
Metal can do things that other
materials can not: bend, twist, resist weathering, etc., but metals also
carry with them an element of the unnatural.
As an artist, I have worked
in:
Stone
Wood
Alabaster
Metal
Ferrocement
and combinations of these
materials.
Each medium has its own assets.
Exploiting these assets is an important part of any creation. The
same design in different materials would make a very different statement.
Trying to bring out the soft qualities in granite or cold feelings in
wood creates tension in a sculpture. When I work, there are times
when the material "speaks" and decides what it ought to be, other times
when I retain control and make the medium fit the mental picture.
Both approaches are equally exciting, but patience and a willingness to
listen to the soul are critical.
The most incredible creative
moments are those in which there is no control, no planning, no preconception.
I believe we all have these "Aha!" moments, when an idea, nearly complete,
pops into our heads, ready for implementation. Those moments may
only be microseconds in length, requiring long hours to carry out the vision,
but that brief inspiration can last a lifetime and its sensation borders
on miraculous.
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